If you’re a boy writer, it’s a simple rule: you’ve gotta get used to the fact that you suck at writing women and that the worst women writer can write a better man than the best male writer can write a good woman. And it’s just the minimum. Because the thing about the sort of heteronormative masculine privilege, whether it’s in Santo Domingo, or the United States, is you grow up your entire life being told that women aren’t human beings, and that women have no independent subjectivity. And because you grow up with this, it’s this huge surprise when you go to college and realize that, “Oh, women aren’t people who does my shit and fucks me.”

And I think that this a huge challenge for boys, because they want to pretend they can write girls. Every time I’m teaching boys to write, I read their women to them, and I’m like, “Yo, you think this is good writing?” These motherfuckers attack each other over cliche lines but they won’t attack each other over these toxic representations of women that they have inherited… their sexist shorthand, they think that is observation. They think that their sexist distortions are insight. And if you’re in a writing program and you say to a guy that their characters are sexist, this guy, it’s like you said they fucking love Hitler. They will fight tooth and nail because they want to preserve this really vicious sexism in the art because that is what they have been taught.

And I think the first step is to admit that you, because of your privilege, have a very distorted sense of women’s subjectivity. And without an enormous amount of assistance, you’re not even going to get a D. I think with male writers the most that you can hope for is a D with an occasional C thrown in. Where the average women writer, when she writes men, she gets a B right off the bat, because they spent their whole life being taught that men have a subjectivity. In fact, part of the whole feminism revolution was saying, “Me too, motherfuckers.” So women come with it built in because of the society.

It’s the same way when people write about race. If you didn’t grow up being a subaltern person in the United States, you might need help writing about race. Motherfuckers are like ‘I got a black boy friend,’ and their shit sounds like Klan Fiction 101.

The most toxic formulas in our cultures are not pass down in political practice, they’re pass down in mundane narratives. It’s our fiction where the toxic virus of sexism, racism, homophobia, where it passes from one generation to the next, and the average artist will kill you before they remove those poisons. And if you want to be a good artist, it means writing, really, about the world. And when you write cliches, whether they are sexist, racist, homophobic, classist, that is a fucking cliche. And motherfuckers will kill you for their cliches about x, but they want their cliches about their race, class, queerness. They want it in there because they feel lost without it. So for me, this has always been the great challenge.

As a writer, if you’re really trying to write something new, you must figure out, with the help of a community, how can you shed these fucking received formulas. They are received. You didn’t come up with them. And why we need fellow artists is because they help us stay on track. They tell you, “You know what? You’re a bit of a fucking homophobe.” You can’t write about the world with these simplistic distortions. They are cliches. People know art, always, because they are uncomfortable. Art discomforts. The trangressiveness of art has to deal with confronting people with the real. And sexism is a way to avoid the real, avoiding the reality of women. Homophobia is to avoid the real, the reality of queerness. All these things are the way we hide from encountering the real. But art, art is just about that.

Junot Diaz speaking at Word Up Bookshop, 2012 (via clambistro)

Once at a festival I went to a discussion panel with sci-fi writers and someone asked them how they would write a pregnant character. 

And all three of the male panellists said that they couldn’t, because they literally couldn’t even begin to put themselves in the position of being pregnant. 

These are sci-fi writers. They make their living writing about space lizards from Mars, or alien invasions, or futuristic dystopia where everyone breathes through their fingers or whatever

Their entire function is to write unimaginable, crazy, out-there stuff. That is the whole point of their existence. And they couldn’t even try to imagine what it would be like to be pregnant. It’s seen as this inherently and totally mysterious female thing, that no man can ever even think of representing, even though as men they write things that none of them have ever or will ever experience. 

It made me realise - In the world of sci-fi fiction, alien experiences are more human than women’s experiences. 

(via reasonsforfeminism)

(Source: ofgrammatology)

(Reblogged from stfu-moffat)
(Reblogged from florharrison)
I fold back the sheet, get carefully up, on silent bare feet, in my nightgown, go to the window, like a child, I want to see. The moon on the breast of the new- fallen snow. The sky is clear but hard to make out, because of the searchlight; but yes, in the obscured sky a moon does float, newly, a wishing moon, a sliver of ancient rock, a goddess, a wink. The moon is a stone and the sky is full of deadly hardware, but oh God, how beautiful anyway.
Margaret Atwood, The Handmaid’s Tale

deeeeaaan:

Game of Thrones Wedding Cake

oh yeah lets just have a game of thrones themed wedding

what can possibly go wrong?

(Reblogged from sucrosecookie)
Played 20,889 times

planetscience:

Midnight City // M83

(Reblogged from imprettyspryforacorpse)
(Reblogged from jenna-darknight)

(Source: booasaur)

(Reblogged from sucrosecookie)

missjraffe:

chloehenderson:

noctstiel:

noctstiel:

If they show sports events at bars why don’t they show tv shows?

someone should get to making a fandom bar.

no but can you imagine? fandom themed drinks, tv show maraton nights, discount to cosplayers, and special season finale events.

WHY ISNT THIS A THING??!!

because none of you ever leave the house nor are you old enough to drink

^Exemplified by the fact that SO MANY PLACES ACTUALLY DO THIS. Seriously. With themed drinks and all. 

(Reblogged from jenna-darknight)
viagrah:

undercover-witch:

You do know the one with the beautifully colored plumage is the male peacock and it only presents itself like that to attract the plain colored female, right?
So basically the only role your fabulousness has is to impress the plain ol’ me. And I may or may not give a fuck.




the last one omfg im so done

viagrah:

undercover-witch:

You do know the one with the beautifully colored plumage is the male peacock and it only presents itself like that to attract the plain colored female, right?

So basically the only role your fabulousness has is to impress the plain ol’ me. And I may or may not give a fuck.

image

image

image

the last one omfg im so done

(Source: dboybaker)

(Reblogged from jenna-darknight)

saraholeksyk:

Took some shots of the Blood Moon during the eclipse.

(Reblogged from scientificthought)

The Stannis and Melisandre storyline is probably the most disturbing, with the most complex undertones, and its the one they spend the least time on. :/ 

Olenna, I swear to god. 

OKAY BUT BRAN’S VISION THOUGH

Everything is the Lion and the Rose and everything is beautiful. 

My skin has turned to porcelain, to ivory, to steel.

(Reblogged from stilinski-the-vampire-slayer)